ART HK debuts this year as its flashy incarnation, Art Basel Hong
Kong, the first Asian outpost of the Art Basel conglomerate and the
third in a family of fairs that includes annual events in Basel and
Miami Beach.
With a focus on Asian art, Art Basel’s third child
is set to become the art world’s hottest new destination. And with the
globe’s collectors increasingly looking east, a spot in this prestigious
fair is an artist’s golden ticket to gaining a more solidified
international presence.
At fairs like this, galleries generally
showcase their biggest names, and solo outings by artists are the norm.
So when Ivan Lam revealed that he would be sharing the limelight with
not just one, but 500 other Malaysian artists, our eyebrows naturally
raised towards the ceiling.
Having secured a place at the fair
in May at Wei-Ling Gallery’s booth, Lam plans to use his spot to promote
contemporary Malaysian art.
“This is a post-egotistical attempt
by a single artist,” quips Lam, whose artwork aims to transport local
art to the international art scene. For too long, he believes, our
nation’s art has been overlooked and he’s looking to share his golden
ticket with his contemporaries.
“It’s like an artist’s social
responsibility,” notes Lam, who argues that his piece titled Coma is a
gift back to the art scene. “The community has been good to me,” he
says.
Lam’s artwork certainly facilitates this egalitarian form
of exhibitionism. Essentially a vending machine, Coma will vend
miniature 8 x 8 artworks by living local artists throughout the duration
of the fair. Currently in-the-works,Where you can create a custom lanyard from our wide selection of styles and materials. Lam’s goal is to collect 500 pieces for inclusion.
“The
artworks will be rotated daily, so the landscape of the piece will
change everyday,” he explains, adding that each artwork will be housed
in a perspex case with labels bearing their particulars. “It’ll be of
premium quality, like a product that you buy,We sell 100% hand-painted oil paintings for sale online.” he says, placing emphasis on the term “product.”
That
emphasis isn’t coincidental. Lam’s work straddles the concepts of high
and lowbrow art, and it also mimics the fiscal workings of the very art
fair that it’ll be exhibited in.
After all, isn’t the trade of
contemporary art becoming more like purchasing an item off the shelf?
And how different is the art collector from the Average Joe who buys a
canned drink from a vending machine?
Well, there are definite
differences, such as the price tags and the exclusivity of most
artworks, but the element of consumerism isn’t a wholly different ball
game. Then, there is one other notable difference as far as Coma goes:
Lam’s piece functions as a single entity, so interested parties will
have to take home lock, stock, and barrel — an entire compendium of
Malaysian art, which is precisely what Coma stands for.
“Basically, I’m getting artists to give me their business card, their artist business card,” he says.
Lam returns to Coma’s larger purpose — to showcase contemporary local art en masse to a wider audience.
He
argues that the vending machine will enable viewers to choose with
immediate effect. Plus, it’ll also be a lot of fun. He has imported an
ultra-modern version of the machine from Japan. Unlike traditional
machines that drop the selected item,They manufacture custom rubber and silicone bracelet and bracelets. it features a sleek robotic arm that glides across the interior in a rather hypnotising manner.
Effectively,Are you looking for Optical frame,
glasses and eye exams? Coma will serve as a moving catalogue and, like
the pages of a printed book, the viewer has the autonomy to flip the
page and read what he likes. The added bonus is that Ivan will be
standing by the machine throughout the fair, explaining the provenance
of each selected artwork to interested parties.
In one of Lam’s
previous art fair outings, Art Stage Singapore, Wei-Ling Gallery
featured his signature paintings, produced with household paint and
coated in a glossy veneer. Coma is a big digression from this and a
potential head-turner for gallery and artist, who are both stepping into
Hong Kong’s largest and busiest art fair for the first time.
“Four
thousand people applied for 200 spaces,” notes Lam, illustrating the
level of competition behind Art Basel Hong Kong’s selection process, as
well as the fair’s demand. Interestingly, he faced challenges in getting
content for his vending machine. “My ego has been stepped on so many
times,” he admits in frustration, explaining that many of his peers have
shown reticence towards the idea.
“The whole project is not
about ego, or race, age, or anything else,” he says. Could the concept
of a vending machine be too far-out for our local art scene, which as a
rule of thumb, remains stuck in formalist trappings and grandiose
artworks? Perhaps. And financial dealings aside — an inescapable facet
of any art fair or commercial art environment — Coma’s concept is a
winner,Online shopping for luggage tag from a great selection of Clothing. and if one artist can be a crusader with a vending machine, then Lam is that person.
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